Mamma mia.
Shift the sequins and bleached eyebrows aside for a bit, and you’d see that Alessandro Michele doesn’t muck around when it comes to his juxtapositions. Referencing “Et tu, Brute” toga times but through the lens of disco and the ’70s—and with clothes so new they can’t be worn until half a year later. Faux ripoffs (“Guccy”) against the realest deal (legit Botticellis at the Palazzo Pitti). But back to the bigger picture—here, take a closer look at some of the best looks and accessories from a megawatt show.